New
Stuff!
There are many ways to learn the fiddle. And I've seen them all
work, if you work hard enough at them. There are great camps, wonderful
books, amazing teachers, illuminating workshops, not to mention
the do-it-yourself approach. The students that really achieve success
seem to use a combination of all of the above. But nothing takes
the place of practice.' Yeah, I know, I wish there were a better
way, but this is the one thing that will guarantee improvement.
Here are some frequently asked questions and my humble opinions
in response.
How
Much Should I Practice?
Try to practice at least 30-45 minutes 4 to 5 days a week. Don't
try to practice every day. That can be an unrealistic goal, which
can make you feel like you have failed right out of the gate. Also,
the brain and the muscles need time to process the information you
are feeding them. I often use the analogy of bodybuilding (not surprising,
as I come from the 'Arnold State'). Your muscles don't grow while
you are lifting weights. They actually grow in between the times
you strain them. Your brain and your 'fiddle muscles' work the same
way. If you feel the need to play every day, make a couple of days
just for fun tunes, or use those days to listen to great fiddle
players you love and admire.
What
Should I Practice?
Keep it varied! I often encourage my students to identify several
problem areas (i.e. intonation, rhythm, bowing technique, double
stops, etc.) and attach a separate day of the week to each area
and focus just on that for the day. As an example' Monday ' Intonation
(scales with a tuner, arpeggios slowly, double stops one note at
a time) Tuesday ' Bowing (practice all tunes with shuffle bowing,
make sure tunes are all down bow/down beat,
add more artistic slurs to older tunes)
Try to incorporate
as many things into your week as you can, keep it interesting!
Should
I Go to a Camp?
Absolutely! Camps are a great way to improve your playing as well
as your on-the-fly learning skills and overcome jamming shyness.
Also, camps help you network with other players and make fiddle
friends for life. Check out
www.fiddle.com (home page for Fiddler Magazine, another must-have!)
and click on 'events' to find an incredibly comprehensive listing
of camps around the world. Be sure to ask other players you know,
as well as your teacher to see if a particular camp will be right
for you. Don't forget about FIddleStar camps, run by yours truly!
They're kept small on purpose so you can get the most out of your
learning experience.
How About Online Instruction?
I'm stoked. www.bluegrasscollege.org
is up and running. This is the most amazing collection of bluegrass
musicians on any educational site that I've ever seen. Rob Ickes,
Missy Raines, Keith Little, Tim Stafford, Butch Baldassari, me,
well, you get the idea... : ) You can download all kinds of stuff,
mp3s, videos, transcriptions, all of the highest quality, and for
an extremely reasonable price. For anyone trying to learn bluegrass,
whether it be as a beginner just learning the ropes, or as a more
advanced player trying to get some sweet new licks, it's got it
all. Every tune has three different speeds and two different difficulty
levels. I swear, it is the coolest! This is the brainchild of American
Fiddle Method guru, Brian Wicklund. He never disappoints. OK, if
you decide to sign up, and you should, I'm not kidding, use my instructor
code so they know I sent you. It's, are you ready, get a pencil,
I'll wait..........
ML001 Like, ML, my initials, and the number 001. Got it? You even
get a free download if you use an instructor code!
What About Contests?
I love fiddle contests. A person can learn so much from
competing, if it's done right. A while back, John Blasquez (wonderful
multi-instrumentalist and teacher in the Bay Area of California)
sent me some musings about contests - advice, rules, that sort of
thing. As we gear up for contest season I thought I would throw
in a link to his page on the subject. there's some really great
stuff in there that I think all contest fiddlers, seasoned and otherwise,
should ponder. You can find it at
www.singingwood.com/FiddleContestRules.
Also, please check out this great site originally dedicated
to the making of a documentary about the National Fiddle Championships.
It has grown into a wonderful resource for fiddlers and teachers
and fans.
http://www.weiserfilms.com
Are
There Good Books out there?
I used think there were no such things in existence. Most beginning
fiddle books seemed to be written by people who had never actually
played the fiddle. But that's changing, and I couldn't be happier.
Here's what I use with my beginning students.
American Fiddle Method Volume 1
Brian Wicklund
www.fiddlepal.com
Fiddle Magic
' O'Reilly
www.sheetmusicplus.com
Learn to Play
Fiddle - Ludiker
www.ludikermusic.com
What
If I Want to Learn Celtic Style Fiddling?
I just ran across a wonderful beginning book for Celtic fiddling
by the wife of renowned fiddler Graham Townsend. This is a wonderful
beginning fiddle method geared toward the Irish/Scottish enthusiast.
Townsend Old-Time Fiddle Method - Townsend www.atlanticviolinsupplies.com
I'm
An Intermediate Fiddler - What Books Would You Recommend?
I wrote a book. Yep, my first FiddleStar instructional book is now
on sale. Geared toward bluegrass fiddlers wanting to improve their
breaks, this book offers 7 beginning licks and 7 ending licks for
bluegrass breaks, written in all 12 keys. Oh, and did I mention
I recorded all 196 licks for a playalong CD? This is going to help
your jam confidence like you would not believe. Order one for you
and one for a jam friend.
To order send $20 (free shipping!) to 1418 Timber Trail Rd. Goodlettsville,
TN 37072 or click HERE to go to PayPal
and enter the amount in the account fiddlemeganb@yahoo.com.
Also, check out the second book in my FiddleStar Series - Intro
to Bluegrass Harmony Singing which I co-wrote with musician extraordinaire
Topher Gayle. To order send $20 (free shipping!) to 1418 Timber
Trail Rd. Goodlettsville, TN 37072 or click HERE to go to PayPal
and enter the amount in the account fiddlemeganb@yahoo.com.
Try Volume 2 of Brian Wicklund's American Fiddle Method as well
as 'Learn to Play More Fiddle Tunes' from Jay Dean Ludiker. But
at this point in your education, you should be striving to learn
more and more by ear. Get out your tape recorder (or your minidisc
recorder!) and start recording things you love. Play along with
Cds and start challenging yourself to play what you hear. Fiddling
is ultimately an ear art and nothing helps you improve faster than
listening and repeating, and eventually you will be bringing your
own style and interpretation to the music you love.
Where
Do I Find a Minidisc Recorder?
www.minidisco.com has great product comparisons and explanations.
The minidisc is an excellent tool for good quality sound recording
that can be burned to CD from your home computer. Great for faster
learning by ear!
What
Kind of Strings do You Use?
I couldn't have a FAQ page without the truly most frequently asked
question. I use Heliocore Heavy Gauge strings. But I also love Obligatos,
Tonicas, and several other more 'classical' style strings. Every
fiddle sounds different and may sound best with different strings
than my fiddle or Stuart Duncan's fiddle. Try www.southweststrings.com
for reasonable prices on strings so that you can audition many different
brands and find out what works best for you.
What If I Develop Hand Injuries?
I have been hearing back from many people about how much
they love the Handmaster Plus hand exercise ball. I had a great
email exchange with the owner of the company and we talked about
how much this tool has helped musicians, not to mention the original
demographics he marketed to - golfers and mountain climbers. Keep
in mind, don''t squeeze the ball! it's all about strengthening the
muscles on the BACK of your hand. I have several units available
for sale, and when I run out, there's always www.ghsstrings.com.
Bay
Area Teacher Recommendations
I
have received many requests from students regarding referrals to
other Bay Area teachers. Sooo,
here ya go! I probably
don't have to say this, but not every student matches every teacher.
Take your time, shop around.
Find the right fit for you or your child.
I think the people listed below are great teachers, but all
in very different ways. Hope there's one here for you. (If I forgot someone, please forgive me!
I'll be adding more to this list along the way...)
Jack
Tuttle
Peninsula/South Bay
beginning, bluegrass, old-time
jacktuttle.com
Tashina and Tristan Clarridge
All Bay Area
beginning, Texas, Celtic, Old-Time
tashina@clarridgefiddlers.co
tristan@clarridgefiddlers.com
530.355.5622 (Tashina)
530.355.5809
(Tristan)
David
"Gus" Garelick (Fiddle and Mandolin)
Sonoma/Upper Marin
beginning to intermediate, some advanced
Klezmer, Cajun, Gypsy Jazz, Old-Time, Western Swing, Italian and
French Musette, Bluegrass
fiddler@sonic.net
707.526.7763
Chad
and Catherine Manning
East Bay
beginning, bluegrass, Texas, swing
www.chadmanning.com
Pat
Reed
East Bay
beginning, old-time, Celtic
Preed575@earthlink.net
510.601.9019
Laura
Smith
Mendocino County
beginning, Texas, Celtic
fiddles4ever@saber.net
707.743.1303
Daniel
Kahane
North Bay
beginning, Celtic, old-time
707.829.2166
Kenny
Blacklock
Marin
beginning, old-time, Celtic, bluegrass, Texas
ken@vsuccess.com
LeeAnne
Welch
South Bay
beginning, old-time, bluegrass
leeannew@earthlink.net
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Ben Glazer - almost three years old - gets his first lesson. |